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Mona Fastvold’s movie about Ann Lee – the founding father of the Shaker spiritual motion – is uncooked, intense and deeply bodily. Should you had been to seek the advice of the main critics of Christianity in movie they might almost definitely let you know that the most efficient motion pictures on this style aren’t like The Testomony of Ann Lee in any respect.
Those thinkers save their easiest reward for motion pictures which might be aesthetically minimum and down to earth in truth, continuously the use of documentary filming tactics.
Tonally, those motion pictures are quiet and stripped again. They provide a imaginative and prescient of religion that leans into quiet devotion and sufferance somewhat than the wild abandon of non secular ecstasy. Suppose, as an example, of Carl Theodor Dreyer’s Ordet (1955), Ingmar Bergman’s Iciness Gentle (1963), Robert Bresson’s Au Hasard, Balthasar(1966) or, in newer years, Paul Schrader’s First Reformed (2017).
The Testomony of Ann Lee cuts thru such male-dominated visions of non secular revel in. It provides a spectacle of transcendence, which is accomplished now not thru restraint, however thru a type of carnal maximalism.
Shot through cinematographer William Rexer on 35mm, this can be a richly textured, painterly movie. On the centre of this can be a efficiency of maximum physicality through Amanda Seyfried, very best recognized to many audience because the lovelorn gamine of Phyllida Lloyd’s 2008 Mamma…
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Author : bq3anews
Publish date : 2026-02-20 12:35:00
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